![]() ![]() While Caslon Old Style was one of his most well-used typefaces. ![]() We are currently working on a Mono and a Semi-mono version as well a Wide Bold, to be released soon.Ĭlick here to visit Sebenta showcase micro-siteĪfrikaans, Albanian, Asu, Azerbaijani, Basque, Bemba, Bena, Bosnian, Catalan, Cebuano, Chiga, Colognian, Cornish, Corsican, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusii, Hungarian, Icelandic, Ido, Inari Sami, Indonesian, Interlingua, Irish, Italian, Javanese, Jju, Jola-Fonyi, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Kurdish, Latvian, Lithuanian, Lojban, Low German, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Maori, Meru, Morisyen, North Ndebele, Northern Sami, Northern Sotho, Norwegian Bokmål, Norwegian Nynorsk, Nyanja, Nyankole, Occitan, Oromo, Polish, Portuguese, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Sardinian, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Slovenian, Soga, Somali, South Ndebele, Southern Sotho, Spanish, Swahili, Swati, Swedish, Swiss German, Taita, Taroko, Teso, Tsonga, Tswana, Turkish, Turkmen, Upper Sorbian, Vunjo, Walloon, Walser, Welsh, Western Frisian, Wolof, Xhosa & ZuluĬharacters with more than one vertical position such as small figures are only displayed once.Ĭharacters with more than one advanced width, such as figures, are only displayed once. They continued with the humanist style type but made refinements to it by standardizing. Based on Humanist writing style and Roman inscriptions, old style typeface has the following characteristics: serifs are almost always bracketed. A truly workhorse for any sort of graphic printed or screen job. Sebenta comes in five weights, ranging from Light to Heavy with matching italics and extended character set. based on a serif typeface was undertaken by the Dutch type designer Jan van Krimpen. From 1725 through to 1730 three books printed by William Bower used roman and italic fonts cut by Caslon. Instead of using a modern typeface structure, Sebenta makes it use of some elements belonging to the old style typeface, such as angled terminals in the capitals: E, F, L, T and Z and S, but in C, G and S and in lowercase c, s and z. Redesigning an old successful typeface is something a type designer. Considered the first original English typeface, it shares many characteristics of the Dutch Baroque type fonts of the era, and may be a variation on the Dutch Fell type fonts cut by Voskens or Van Dyck at that time. ![]() Sebenta represents is a fresh new approach of this style. As most of the slab serifs, Claredons are basically made from a modern type structure with decreasing contrast. This popular style, known for having a bold and solid structure, low contrast, vertical stress, strong bracketed serifs and a large x-height was a consequence of the decreasing quality of printing mainly dominated by the Modern style types with high contrast. The initial concept was already in progress before The Foundry was formed and David Quay wanted desperately to design a renaissance old style serif font. The Ionics, or Clarendons, made their first appearance in 1845 by Thorowgood and Co., with a typeface attributed to Robert Besley with punches engraved by Benjamin Fox. ![]()
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